Door Malick Sidibé
|Göttingen : Steidl Verlag/GwinZegal
Jaar van uitgave
|Paperback, richly illustrated with small b/w photographs, 4to.
That the beginnings of Malick Sidibe's career as a photographer coincided with Mali's independence from France (in 1960) was serendipitous, and he was certainly the right man to portray the country's postcolonial euphoria. Sidibe focused on the explosion of youth culture and music in 1960s Bamako, photographing all the happening events and ceremonies, including football matches, weddings, Christmas Eve celebrations and parties at clubs like Los Cubanos, Les Caids, Les Las Vegas--names that convey the influx of Western music into Mali. Visiting as many as five of these venues in one evening, Sidibe would capture Bamako's youth in a close-up snapshot style that conveys the joyful conviviality of this era, and the blending of African and western cultures in dances like the Mali Twist, and i... ()n curious combinations of traditional and European clothing. Sidibe would then display his carefully numbered index prints, glued onto administrative folders, on his studio walls for customers--usually the subjects of his photographs--to peruse. These are the "chemises" of this book's title. As an invaluable document of 1960s Mali, and as a large portion of Sidibe's oeuvre, Chemises is an essential volume for anyone interested in contemporary African photography. Born in Mali in 1935, Malick Sidibe opened his own studio in Bamako in 1958. His photography is now exhibited around the world, and he is considered one of Africa's greatest portrait photographers.
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